Could a Team of “Artists” Really Been the Ones Who Rigged the World Trade Centers with Explosives?

By TheRundownLive


The Rundown Live

A large group of artists were given space and construction access to the World Trade Center in the four years leading up to 9/11

These very bizarre and suspicious events that occurred directly before the 9/11/2001 attacks on the World Trade Center towers are interesting at the least. This is not proof of a conspiracy, merely evidence of obvious security flaws, suspicious “coincidences”, possible spying, and things that make you go “hmmm….?”

This article is using various different sources to compile the conspiracy behind “The B Thing” and how it could be directly relevant to the towers eventual destruction. Please view this chaotic grouping of information with an open mind, and understand we may have been lied to, on all levels, about what exactly took place on September 11th 2001.

Artist groups (E-TEAM and GELATIN) were selected to be part of the Lower Manhattan Cultural Council (LMCC) World Views / Studioscape a program that allowed them and other artists to work and live in the WTC in the four years leading up to 9/11 on different floors, including 91 and 92 of the North Tower. They were given seven day a week construction access to the WTC that allowed them to freely move all sorts of materials in and out of the complex.


(Note: When you give young artists access to a building and work-live space, they’re going figure out everything they can and can’t get away with in there. I’ve lived in several wild artist buildings and from my experience, once they’re in, they can get anywhere they want…especially with climbing gear & harnesses…see photos below. LMCC and WTC management would know that before approving such a program. For artists to be able to take out windows on the 91st floor and install a makeshift “balcony” (see the NYTimes, August 2001) protruding out of the building should give you some real insight into just how lax WTC security was at that time and how dangerous the LMCC program was. Sounds to me like the WTC was conveniently out of control in the years leading up to 9/11 and that security there was a complete joke as far as these artists and all their friends were concerned…see photos below.)

As you may know, audacity, arrogance and a love of esotericism (“it’s a great piece of artwork…you just don’t get it”) are common features of the art world, especially among privileged and highly connected, younger artists. Therefore, I think it is plausible that the E-Team might also stand for Explosives Team (amongst themselves, their handlers and sponsors) and that Gelatin’s The B-Thing may also be, not so secretly, referring to explosives (see blasting gelatin & note that Gelatin became Gelitin in ’05…wonder why?). Keep in mind that we gave these foreign groups WTC construction access and allowed them to live directly in the strike zone through the LMCC World Views and Studioscape programs. They would probably look upon most of Americans as complete idiots and that their work was highly sanctioned by the people in charge.

And as incredible as it might sound, I think it is very possible that the “team” (that included many others) may have advertised itself in a major way to their special audience under the cover of “art”, right on the WTC strike zone just before 9/11 (see 127 Illuminated Windows). Further, in an incredible display of audacity and arrogance Gelatin members openly exposed themselves (reportedly naked) to be photographed by helicopter at the location of all their (possible) crimes, prior to 9/11 (The B-Thing). And finally, in what may be the ultimate esoteric performance art pc. of all time, they might have intentionally photographed individuals (some who may have known what was coming) directly in the initial WTC strike zone, prior to 9/11 (see Quick Click). Yes, this is awful to imagine, but considering the controlled demolition evidence now available to us, it might be important to look at these artists and their artwork in a new light, since the explosives had to be put there by some group of people who had access. I find it interesting that some of the above artwork has no real significance without the events of 9/11, especially when you consider that these are artists deemed so talented by the LMCC’s standards, that they should be given free studio space and homes in the World Trade Center. LMCC endorsing a simpleminded artist name promotion (E-TEAM), a stand in the window photo shoot w/copter and an “unofficial” dangerous (did they-didn’t they) balcony prank w/copter, just doesn’t add up to me.

(Note: In the years that followed the careers of these two artist groups flourished with shows all over the world. Further, consider the possible message and target audience for this recent photograph. Is that a veiled threat, demanding even faster art career advancement, from those in charge?)

Artists are traditionally known to be good with their hands and to often engage in long and tedious types of work. All you need to do is add a little training and hate to the mix. Note the climbing gear and the detailed outer structure & inner core renderings in the The B-Thing floor plan & photos below. Also consider the very precise timing notes on that plan drawing and how important that kind of thing might be for certain types of activities, when buildings are occupied. I think these artists can be deadly serious when they want to be and operate behind a sort of clownish artistic facade. Their Trojan Horse analogy is interesting and telling too…however, maybe its inside of the artist as an individual, that the attacker is hiding. Artists as Trojan Horses.

Lastly, I think the Framed Dummies artworks (see below) in the buildings’ concourse and on an outside walkway (one set of them inside & one set of them outside) were yet another part of these possible sick jokes…artwork pieces esoterically referring to framing the Muslims (Gutless Men Carried It Out), who were often portrayed like this in the years right after 9/11…bad guys in the dark outfits…who were always ready to cut someone’s head off, when they weren’t training on their (playground) monkey bars. It’s weird how we don’t see any of that anymore…I guess those images were determined to be firmly implanted.

Knowing artists as I do, I think above scenario is very possible. I’m not accusing anyone here, it all may be very innocent, I’m just stating that it is possible and that it is a very strange set of coincidences under the circumstances. However, I do think it’s of national importance to investigate thoroughly the LMCC programs, its administrators, directors, all WTC/LMCC artists, all related artwork and photography. It sickens me to think that “leaders” could teach young artists to hate and to encourage them to use their creative skills in hateful ways.



The Israeli student spy scandal gave the DEA a massive headache to explain. In this document they attempt to make sense out of what they discovered. The agenda of the Israelis spies centered on gathering intelligence on possible roadblocks to the perfect execution of 9/11

An entire army of some 200 Israeli agents posing as art students flooded governmental buildings in the greatest spy scandal ever in American History. The ‘agent posing as artist’ model was invented and popularized by infamous Mossad superspy, Peter Malkin, also implicated in planning 9/11. More on Malkin later. These spies set up surveillance at the DEA, defense companies, and over 40 federal buildings, including over 30 sites of the Department of Defense (DOD). They even approached federal officials in their home. The DEA published a 61 page report on the Israeli spies detailing over 175 separate incidents in what the DEA described as “intelligence gathering” activities.

The Israeli spy scandal was most elaborately exposed by Carl Cameron of Fox News in late 2001. It was revealed in this incisive 4-part series that many of the Israeli spies were army veterans with “explosives expertise.” They all had active ranking within the Israeli army and counter-intelligence with a variety of specialties. Many of the Israeli spies were arrested in connection with 9/11, however, as an FBI official told Cameron, “Evidence linking these Israelis to 9-11 is classified. I cannot tell you about the evidence that has been gathered. It is classified information.” Since this time, Fox News has deleted any links to the story and all transcripts of the 4 part series.

Fox News – Part1 – Israeli Spy ring by exprofesso

Fox News – Part2 – Israeli Spy ring by exprofesso

Fox News – Part3 – Israeli Spy ring by exprofesso

Of course not to be outdone Gelatin produced a book on their exploits at the World Trade Center.

The B-ThingWalter König, Cologne, 2001ISBN: 3-8837-507-932 pages, colour throughout, embossed hard coversText: Tex Rubinowitz

Photos: Maria Ziegelböck, Thomas Sandbichler, Susanne Wimmer, gelatin

Layout: Johannes Heuer

The B-Thing uncovers the truth behind the rumours of Gelatin’s construction of an improvised balcony on the 91st floor of the World Trade Centre in New York. Through preparatory notes written by the boys, diagrams and colour photographs, we are finally able to glimpse the pink sunrise over New York from Gelatin’s eyes.

The completed project the little white addition in the upper middle. You can clearly see how precious this art is and what a terrible shame it was destroyed on September 11th. I would tend to place my bets it was a homing device for the aircraft to zero in on the target. Mohammed Atta hit two floors above.

90th floor WTC 1 B-Thing Israeli art students ready to remove a window

Members in their construction rigging and apparatus for the observation deck (crop) Notice the BB18 (SEE BELOW)

Members in their construction rigging and apparatus for the observation deck (Full) What if these boxes are actually explosives? What if other spaces were similarly packed?

Diagram of observation deck

Boxes framing the observation deck area

There seems to be little mistake in this image that the towers have been doomed and that these artists are a cover for part of the demolition team.
Many people feel the jumpers were staged. Anyway this piece of art has great significance as a pre 9/11 piece. NO ONE COULD HAVE SUSPECTED THAT A PLANE WOULD CRASH INTO THE TRADE CENTER never mind jump from it.




Pig iron containing manganese; used as a deoxidizing agent and to raise the manganese content in making steel








(SCHWA…B An American Bank MAX withdrawal?)

Part Number: BB18

Series: POWR-BAR Busbar

POWR-BAR & trade Bus Bar

Safe distribution of power to multiple fuse holders in a compact design is a key objective for panel designers. The Littelfuse UL508 bus bar system eliminates most wire terminations in a timesaving package. A power distribution block and associated conductors are no longer needed to feed multiple POWR-SAFE™ fuse holders.


Decreases wiring terminations

Small footprint reduces space requirements

Reduces assembly time

Prevents accidental finger exposure

Quick and safe method of changing fuse holder configurations

Allows for future expansion

Improves troubleshooting

Eliminates power distribution block

RoHS compliant and lead (Pb) free

An art display at a gallery showing the New York Times feature
This photo shows human forms in window frames of the dimensions of the WTC. The shot is from the Naudet film on the bridge between the Marriot and the North Tower. If police and fireman saw these things, it’s no wonder they were left in the collapsing towers.

The B-Thing

The book is copyright 2001 Verlag der Buchhandlung Walther Konig, Koln. I’ll include more credits at the end of this post.

In short, the work purports to document a March 6, 2000 attempt by art students occupying “studiospace provided by the lower manhatten cultural council (all quoted passages are reproduced as they originally appear, replete with poetically licensed grammar, punctuation, spelling, and line breaks) on the “91. floor of world trade center 1.”

“gelatin is on a floor with other artists who are part of this studio program.

gelatins space (the window, where the action will happen), is walled in with a

system of cardboard boxes.

other artists sharing 91. floor do not know what we are planing and doing.

the construction of the balcony and all other preparations are not visible

for them.”

The narrative continues:

“the balcony is a prefabriacted construction, made by gelatin.

one person at a time will be able to stand on it.

the balcony will be camouflaged.

it will be built to be as less visible as possible for any passerby on the street.

it will be taken apart the moment after beeing pulled back in.”


“one window will be taken out.

the removing of the window is done in a professional and secured action.

no constructive parts of the building will be removed or damaged.

there will not be any visible traces, after the window will have been put

back in.”

Finally (for this post)”

“nobody but gelatin is officially involved into the project.

there will be an attorney telling gelatin how to behave.

there will be an attorney responsible to handle the case for gelatin.”

A brief section of glossy color photographs “documents” the project. Individuals, apparently of college age, are depicted; all males are turned away from the camera. Two Asian females appear in full-face shots. The majority of pages depict drawings and calculations.

Photos of the balcony — a narrow, cramped space protruding between exterior support columns — appear to have been taken from ground level, and these images are grainy and, well, unconvincing. Also, there are photos that appear to have been shot from the balcony itself.

This is a most troubling and thought-provoking little publication. If what it documents is nothing more than a successful prank-as-statement by European and Asian art students, then what does it tell us about the vulnerability of the WTC, just prior to the attacks, to this sort of “tampering”?

Or is there more to the story?

Art students … Hmmm …

From the copyright page, more credits:

Text: Tex Rubinowitz

Photos: Maria Ziegelbock, Thomas Sandbichler, Susanne Wimmer, Gelatin

Translation: Jonathan Quinn

Reproductions: Cyberlab, Vienna

Layout: Johannes Heuer

Print: Groebner Druck, Oberhart

Binding: Papyrus, Vienna

Courtesy: Leo Koenig Inc./New York

Galerie Meyer Kainer/Vienna

Other Links:

Lower Manhattan Cultural Council – WTC Artist Program

The Artist Residency Program in the Twin Towers – Art Loss / Insurance

E-TEAM artist website (Franziska Lamprecht & Hajoe Moderegger)

127 Illuminated Windows Project, WTC 1 , 91st Floor, North Face

Quick Click Project, WTC 1 , 91st Floor, North Face Movie Link:

Article – on more recent e-team art activity

GELITIN artist website: wikipedia (note name change)

The B-Thing Project: )

New York Times Article
(Text version:

The B-Thing book at Amazon

Book Credits: Walter König, Cologne, 2001

ISBN: 3-8837-507-9

32 pages, colour throughout, embossed hard covers

Text: Tex Rubinowitz

Photos: Maria Ziegelböck, Thomas Sandbichler, Susanne Wimmer, gelatin

Layout: Johannes Heuer

Radio Show with Core of Corruption creator:

Jonathan Elinoff Documentary Core of Corruption


ART STUDENTS in WTC Connected to ISRAELI INTELLIGENCE SERVICE, Investigaiton by – YouTube

Art students in WTC Connected to Israeli Intelligence Service Video

Jonathan Elinoff ArticleArt Students in WTC Connected to Israeli Intelligence Service

Fox News Series On Israeli Spying In America

Israeli Mossad Involvement in The 911 Attacks – Part 1 Part 2

History Commons: “Israeli art students”

The Israeli “art student” mystery –

Israeli Art Students & The DEA

and here –


“Dancing Israelis” Arrested On 9/11Veterans Today

(PDF auto-download) Dr. Alan Sabrosky (U.S. Army War College, Director of Studies, Strategic Studies Institute) Zionism Unmasked:

Treason, Betrayal and Deceit by Alan Sabrosky ( also here)

Dr. Alan Sabrosky Interview:

Related to Dr. Sabrosky’s thoughts see the in depth documentary: 9/11 MISSING LINKS:

BB 18 Power Feed Lug – Wire Management Device (lug electrical connector, a bolt on an enclosure tied to an electric potential within the enclosure, supporting the connection of a cable)

Gutless Men Carried It Out – (outside)

Framed dummies (inside) WTC on 9/11 (someone later added a weird voice over to the footage)

Follow @RundownLive

This article is free and open source. You have permission to republish this article with attribution to the author and Tune-in to the THERUNDOWNLIVE Monday-Friday @ 9pm EST; 6pm PST.


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2 Responses to Could a Team of “Artists” Really Been the Ones Who Rigged the World Trade Centers with Explosives?

  1. Pingback: Abodia – Planning Bombing the WTC: The B-Thing | Rob Scholte Museum

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