The Rundown Live #335 Michael J Murphy (Hazy Skies,Chemtrails,Weather Control)

Thumbnail for 27372The Rundown Live #335 Michael J Murphy (Hazy Skies,Chemtrails,Weather Control) (9/15/14)

The Rundown Live LIVE M-F 8C/9E

On this Monday edition of The Rundown Live, Kristan and I go over the sponsors, and the site before are joined by our guest Michael J Murphy, getting into many topics like, conspiracy, weather control, spraying, hazy skies, following the money, global control, and much more. This one is worth checking out! Make sure you like, recommend and subscribe! Links below!

Audio Version Here




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Never Before Seen Photos From 9/11 RELEASED

Thumbnail for 26679Luke Rudkowski | The Rundown Live

It has been over 13 years since the tragic day of 9/11 and many who have survived that horrendous day are still having a hard time coping with everything that happened.

One of those people affected is Ricki, a survivor who lived through the worst of that day and is still suffering physically and mentally from the trauma.

He has explained to us the shell shock and post traumatic stress he goes through almost everyday that made him close off and not develop the photos that he took that day.

In an exclusive interview he gave WeAreChange, Ricki has entrusted us with those photos and told us to publish them.

We are releasing all the photos that we were given for you, 13 years later that no one else has seen.

Ricki still has other photos that have not been released, these are the photos that we are given and we are letting you make up your own mind about them.

Please also note Ricki is not a professional photographer and grabbed what he could to take these photos.

Watch The Original Video Here To Get The Full Story.


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Staged ISIS Videos Are The Plot Of Iron Man 3

Thumbnail for 26278Jay Dyer | The Rundown Live

Downey, Jr kidnapped by ISIS

As our friend, the talented writer Peter Parker pointed out back in May of 2013, the intelligence scripting for the news events surrounding radical Islamic terrorists seem to find their curious parallel in certain Hollywood blockbusters. Parker explained with precision how the plot of Iron Man 3 in particular demonstrated this obvious correlation with Ben Kingsley’s character, The Mandarin, playing the laughable role of the British actor cum terrorist. In the plot, the terrorists were fake, kidnapping Iron Man and holding him ransom. Sound familiar?

As is usual around Jay’s Analysis, this Hollywood meme is again relevant, with a new ISIS “beaheading” today calling to mind the same scene from Iron Man 3, following last week’s theater showing. In May 2013, Parker wrote:

“Sometime ago this writer made a discovery that was featured here on Jay’s Analysis concerning an episode of the 1990’s Iron Man animated series. As is the case with numerous films and television shows, this episode contained scenes that seemed to eerily prefigure certain aspects of the 9-11 tragedy. Interestingly, this particular episode featured not one, but two major parallels to the events of that fateful day, yet surprisingly, at the time, I had never seen this episode featured in any of the internet’s exhaustive lists of ‘9-11 predictive programming.’ I am not suggesting that its absence was due to any conspiracy within a conspiracy, presumably this was merely indicative of the extreme unpopularity of the 90s Iron Man cartoon. However, its absence from most lists is still in some ways surprising, given how closely it resembled the September 11th terror attacks. Arguably, of all the examples of ‘9-11 semiotic programming,’ perhaps only the infamous Lone Gunmen pilot came as close to mirroring the real life event.

The episode, which originally aired in 1994, was entitled “The Grim Reaper Wears a Teflon Coat.” It opens with a control room of NORAD operatives panicking as the new experimental plane, the Grim Reaper, slips by their defenses and begins raining a volley of missiles on New York City. Amongst the buildings hit in the attack are the Twin Towers. Moments later it is revealed that this attack was nothing more than a video simulation being shown to high-ranking military officials, illustrating what might happen should the Grim Reaper, the military’s newest super weapon, fall into the wrong hands. Unfortunately, fall into the wrong hands it does when the Mandarin, a shadowy super-villain who operates out of a secret base in the mountains of Tibet, has his agents steal the plane. Viewers are treated to yet another simulated attack when the Mandarin shows his followers exactly how he plans to use the Grim Reaper; he will fly it into the Pentagon, destroying the heart of American military power! Needless to say, the bad guy’s plans are foiled by Iron Man by the episode’s end.”


“By the time of the second Iron-Man movie in 2010, the Mandarin had yet to appear. For my own part, I thought the studio might be holding back since the character might be considered an offensive ‘Orientalist’ stereotype by today’s standards. He had, after all, originally been created during the time of Vietnam War. Admittedly, I felt a little cheated, that is until several months ago when I started seeing trailers for Iron Man 3, featuring Ben Kingsley as the Mandarin, making grandiose bad guy speeches and dramatic super villain poses. However, upon seeing the movie mere days ago I was both marginally disappointed and yet, at the same time, pleasantly surprised.

Pure theatrics.Pure theatrics.

Spoiler Alert

As predicted, Iron Man 3 follows through with the groundwork that was laid in the first film, transforming the Mandarin from a Chinese master criminal into a bin Laden-style terrorist leader of indeterminate (presumably Middle Easter or Central Asian) descent. Like bin Laden, The Mandarin claims responsibility for numerous bombings throughout the world through the release of anti-American diatribes presented in low quality video recordings. In this sense Iron Man 3 has made the 911 meme in the 90s animated series come full circle. Now the over-all ‘bin Ladeniness’ of the Mandarin has been fully accentuated, retroactively reinforcing the semiotic resemblance of “The Grim Reaper Wears a Teflon Coat,” to the actual events of September 11th.

However, the conspiracy content of Iron Man 3 does not end there. When, Iron Man’s friend is injured in one of the Mandarin’s attacks, the hero enters into an all-out war with the terror leader, back-tracing his televised threats to a mansion, which is surprising located, not in the Middle East but in Miami, Florida. Busting into the recording room, Iron Man discovers that the Mandarin is not a master terror leader but merely a bumbling, washed up, British stage actor with a drug problem who has been hired to serve as the fake head of a boogeyman terror organization. He is simply, dressed up in robes and given scripts to read to the camera. In exchange he is paid with booze, money and loose women and since he is kept confined to the mansion he isn’t even aware that real people are being hurt in his name. The real mastermind behind all of this is a weapons manufacturing industrialist working with the corrupt Vice President of the U.S. This is all part of a plan the Industrialist set in motion back in 2000, suggesting perhaps that the entire war on terror itself, at least in the fictional world of Iron Man, is all part of his grand design.

What is interesting about this is how it bares strong resemblance to many of the so-called ‘conspiracy theories’ about Osama bin Laden. That, bin Laden was either dead or retired, and that look-alike actors working for Western intelligence were performing his various video releases, was and still is a popular opinion among many. Similar, of course, is the notion that Osama bin Laden had, in fact, been a Western asset from the beginning of his career.

A year and a half later, the narrative has again emerged, with the rebranded and expired Al Qaeda becoming “ISIS,” the new radical Jihad threatening the western world, and in particular a long line of “journalist aid workers” that seem to be in large supply and quite easily captured. Perceptive readers will be aware, of course, that these are not “journalist aid workers,” but known intelligence operatives: “aid” worker is one of the most obvious known covers, and their supposed captors, as well. In our new staged “beheading,” the clip is even more absurd, as once again the film cuts away before any blood, this time without even a head or a body! The only evidence of the so-called “aid worker’s” corpse are two pasty legs. Those could be anyone’s legs, but the WWF nature of ISIS and their ridiculous videos will unfortunately continue unabated. When ISIS shows us their next retarded video and stages the “beheading” of Robert Downey, Jr or Katy Perry, maybe the media whores will begin to lose credibility. Then again, probably not, since Hollywood and ye ole theatre of staged intelligence operations are now the same. All these videos are intended to do is rile moronic western evangelicals and faux conservatives who don’t know their theological ass form a hole in the ground for Huntington’s clash of civilizations philosophy.

Read more here:: Staged ISIS Videos are the Plot of Iron Man 3

The post Staged ISIS Videos are the Plot of Iron Man 3 appeared first on The Rundown Live.

Katy Perry’s Illuminati & Engineered Modern Art

Thumbnail for 25669Jay Dyer | The Rundown Live

If you haven’t heard, Katy Perry told Rolling Stone she wants in! The hallowed halls of the Illuminati elite are wide open for the rising stars, just fill out a form and sign on the dotted line…with blood! For most, the development of the arts is an organic, random process that just happens to occur, with the latest weirdo upping the ante and making a hefty profit for his “genius” work, usually involving some form of actual litter, feces, urine or corpses. What the unknowing public and its masses of “artsy” trendy wanna-bes who inhabit metropolises and immerse themselves in this sordid arena are unable to fathom or grasp is that the movement of art itself in the 20th and 21st century is engineered to take the track it has. While the internet has exploded over the last few years with sites that maximize hits based on finding the “Illuminati” in every image of an eye, stone, dove or butt, most of these sites are not worth your time for serious analysis, as the mythology they promote about the “Illuminati” is inaccurate and ahistorical. Ironically, as a form of revelation of the method, the meme of Illuminati symbolism has become a self-replicating style trend, where the iconography of pop culture has adopted pseudo-Illuminati symbology.

The engineering of art was a decision made by the Rockefeller Foundation workers, the Guggenheim family, the Frankfurt School working with British Fabians like Bertrand Russell, and the intelligence agencies like the CIA, which the Rockefellers were instrumental in establishing. Concomitant with the rise of garbage “art” was the rise of feminism and its Rockefeller funding, as well, so they can be seen as connected movements, that culminate in the phony drug and sex “revolution” of the 1960s. I have detailed this elsewhere, focusing on the Marxist elements behind the above movements, but it is crucial to see that the Marxists were merely one level of this social engineering, as the funding for these Marxists and Frankfurt School degenerates came from international capitalists and their close cousins, the Fabian Socialists. Bertrand Russell and the Critical Theorists of Frankfurt openly stated how all of society would be reengineered, and a crucial aspect of that change involved the complete control of the arts. In fact, the arts are one of the most powerful, important arms of the machine, as the arts have a much deeper, more powerful impact on the mass consciousness than any Marxist or socialist books could.

Ke$ha is not in the “Illuminati”
MOMA and its whole ethos are nothing but intentional subversion, and the clearest evidence of this isn’t even the numerous sources and documents, but one simple indicator – the lack of talent. In the good olden days, artists could not make a living unless they actually learned their skill from a master. Nowadays, actual skill is a joke, while the most successful “artists” are those that are the best at creating a character persona for themselves that concocts absurd stories about what deep meanings their piles of shit have. I know from direct experience about this, because my ex girlfriend’s sister attended one of the most prestigious schools in the nation and did her master’s in “fine art.” Her “art” consisted of huge vaginas and wombs that you could walk into, where the inside was covered in hundreds of nails. The meaning of all this colossal waste of time and effort? I’ll give you one guess. You got it – female oppression! I recall meeting her thesis advisor too, one night at a dinner at her place. As is usually my fashion, I pounced onto subjects considered socially taboo by this ridiculous crowd – meaning in art, objectivity in aesthetics, and other fantastical subjects. The result? After an hour of inquisitorial questioning, the instructor was so offended she threatened to leave her own dinner. I must admit, I do at times enjoy ruffling the burlap panties these creatures don.

Ke$sha’s very occultic “Die Young”

And so popular art has dissolved into nothing more than rehashed versions of the crap from two decades ago. Nihilistic hipsterism becomes a parody of itself, functioning like a self-replicating cookie cutter advertisement for the next product of lesser caliber. With meaning adrift, advertising is synonymous with both art and parody. Because this was engineered from the era of Bernays on, you see the eventual merging of the couple minute ad into the couple minute song. The song and its video are an ad for itself, and the next meaningless carbon copy reflection that will come, fresh out of the digital press. It’s as if you are in a Mall, Wal-Mart or Target everywhere you go, including when you’re watching a music video. And the same goes for film, as Hollywood has given up on all creativity, opting instead for the infinite replicator machine. The reason for all this is beyond the mere “making of money,” which is a crucial factor.

Rehash of rehash.  Patrick Nagel meets MOMa.Rehash of rehash. Patrick Nagel meets MOMa.

No, the oligarchs already own the Federal Reserve printing presses and digital flash trade computers. Instead, the goal has been the Fabian model of gradual social engineering to destroy aesthetics. However, the killing of aesthetics comes at a price, as the artist becomes instead the moronic fool who is the best at being weird. The source for this misplaced belief lies in the assumption that inspiration and the arts themselves are only about emotion. The dumbing down of the populace at large through mass media and mass drugging has had the cumulative effect of creating the most programmed slaves amongst the circles of creative. It is entirely possible that many of these proles would have been talented artists, but we’ll never know, as the apotheosis of the weird came at the price of talent. The social engineers and technocrats have known this all along, and willed instead to annihilate these armies of drones with their own field of focus – a masterful Sun Tzu-style move. Because the arts are associated with emotion, it was easy to alter this crowd into submission by eradicating reason from the arts, and equating art with pure passion and emotion, devoid of any objectivity. Whatever one thinks of Ayn Rand, her Romantic Manifesto made this point brilliantly in regard the degeneration of the arts. Another indicator of the social engineering aspect of all this – to be accepted into this idiot crowd, you must be pro-feminist and pro-gay, and oppose objectivity.

Gaga's Crowleyan-ish concert imagery.Gaga’s Crowleyan-ish concert imagery.

At the point of self-annihilation, the only path left for the art of modern man is the vile, and from the vile, the fetishization and worship of death. Man reduced to pure passion, giving free rein to and worship of feminism in art, ends in death. This is not to say men aren’t degenerate, untalented artists, but rather that the rise of the feminine in the arts is also correlated to the rise of death art. I don’t blame individual women for this, but rather the establishment oligarchs who are corrupt beyond belief, who insist on foisting on everyone else their fixations with death and the vile. Death really is the overarching concept by which to classify all this, as the same oligarchy that wants to kill the earth’s population down 500 million is the same oligarchy that promotes death art. What a telling example of this we see in the sooooo avant-garde vomiting chick. What a revealing image! Her performance art itself exemplifies her subconscious reaction to what she does and what she is about – a war with herself, with art and meaning. I’m reminded of the excellent Italian film La Grande Bellezza (2013) that chronicles the decline and decadence of Italy, particularly in regard to the scenes with the Soviet performance artist and the hilarious young girl who creates the “screaming art” at the party.

You go girl!You go girl!

So when these tools of the industry talk about joining and being in the “Illuminati,” it’s more of a joke than it is actually running the globe. In one sense they are members, insofar as they serve the oligarchies wishes. Their own art pictures them as mind-controlled slaves and tools, not real witches or geo-political masters. Much closer to reality, these stars are tossed about by various fads and cults which appeal to the eccentric, so when Katy Perry says she wants to join the Illuminati, she means some Hollywood sex cult, much like what Peaches Geldoff found herself in. She’s not joining an ancient order of Masonic deists from the Enlightenment. How much do you think Voltaire and Katy Perry have in common, really? However, the Eyes Wide Shut-style sex magick cults are very real, and do have influence,but to think this is somehow linked to the rationalist Jacobins is a stretch. Satanism and witchcraft have been around for a long time, and there are elite families involved, but the top of the pyramid is run by technocratic socialists (the brains) and the top families (the bloods) who laugh at these goofballs, who have neither blood nor brain. Katy is saying, yeah, I’m up for some sex magick. The “Illuminati” oligarchs running things see all this obvious garbage merely as a weapon, nothing more. I will give Katy some props for her improve skills, though.

Read more here:: Katy Perry’s Illuminati and Engineered Modern Art

The post Katy Perry’s Illuminati and Engineered Modern Art appeared first on The Rundown Live.

The Rundown Live #334 Naveed “Khanverse” Khan (Global Control,Chicago,Israel,911)

Thumbnail for 25444The Rundown Live #334 Naveed “Khanverse” Khan (Global Control,Chicago,Israel,911) (9/12/14)

The Rundown Live LIVE M-F 8C/9E

On this Friday edition of The Rundown Live, Kristan and I go over the sponsors, and the site before are joined by our guest Naveed Khan, getting into many topics like, global control, Chicago, Israel & Zionism, 9-11, and much more. This one is worth checking out! Make sure you like, recommend and subscribe! Links below!

Audio Version Here




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The Rundown Live Launches MerchQuake2014 IndieGoGo Crowd Sourcing Campaign

Thumbnail for 25142Mike & I for over a year now have delivered some of the best citizen journalism out there. Over the past year, you the listener and reader have made The Rundown Live a success. Through your continued support and sharing we have been able to establish the show as a credible media source and bring news to over 1 million people.

Since our beginning our information has been sourced by many mainstream outlets both liberal and conservative including Msnbsc, Drudge Report, Infowars, Rawstory, Realfarmacy and many other top traffic news sites.

People often ask “how they can get involved?” and support us. Our answer has always been the same. Use the talents you have to spread liberty and the idea of freedom. Some people write articles, some write music, others send videos and many dont have time to contribute. Now there is a way everyone can help.

Contribute as little as 5$ to The Rundown Live IndieGoGo Campaign. Your money will not only get you Rundown Live gear, but the proceeds will go to expand our operation and promote liberty through fashion at a affordable prices.

We wanted it to be simple in launching “The Rundown Live Merchandise Store”. We have always been supported and funded by our listeners so we figure why stop now. All profits will go back into spreading liberty and the idea of free press journalism and gear. In 2014 Alternative media is the news and if you want free and honest journalism we need your support!

Support truth in media and make a contribution to our IndieGoGo campaign and get awesome gear. We have a goal is to raise 500$ in 40 days. We are already 10% of the way to our goal with 39 days left!

We also offer business packages for those interested in using our platform to advertise their product.

All shirts come with Babylonian Mystery Religion logo on the front and The Rundown Live on the back.

This shirt is to be used as a educational piece.

Available in male and female shirts and hoodie designs. All sizes available


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The Rundown Live #333 Nick Bernabe (Media,Government,Manipulation)

Thumbnail for 24931The Rundown Live #333 Nick Bernabe (Media,Government,Manipulation) (9/11/14)

The Rundown Live LIVE M-F 8C/9E

On this Thursday edition of The Rundown Live, Kristan and I go over the sponsors, and the site before are joined by our guest Nick Bernabe, and also opening the lines getting into many topics like, media & fake news, government & manipulation, propaganda, new media, and much more. This one is worth checking out! Make sure you like, recommend and subscribe! Links below!

Audio Version Here




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The post The Rundown Live #333 Nick Bernabe (Media,Government,Manipulation) appeared first on The Rundown Live.

How The News Is Faked

Thumbnail for 24756Nonsense news.

Jay Dyer | The Rundown Live

Although there have been numerous articles about fake news, few and far between are the analyses of how exactly it has been done. For decades, the CIA worked intimately with the centralized news hubs, such as the AP, Reuters, etc., and the big three networks that were once two large conglomerates, CBS and NBC. Corporate news and broadcasting has thus long been in the pocket of the dynastic oligarchs, with the CIA and other intelligence networks determining news and media content. It has been controlled, faux news from the get-go. Famed journalist Carl Bernstein explains of this alliance:

■ The use of journalists has been among the most productive means of intelligence‑gathering employed by the CIA. Although the Agency has cut back sharply on the use of reporters since 1973 primarily as a result of pressure from the media), some journalist‑operatives are still posted abroad.

■ Further investigation into the matter, CIA officials say, would inevitably reveal a series of embarrassing relationships in the 1950s and 1960s with some of the most powerful organizations and individuals in American journalism.

Among the executives who lent their cooperation to the Agency were Williarn Paley of the Columbia Broadcasting System, Henry Luce of Tirne Inc., Arthur Hays Sulzberger of the New York Times, Barry Bingham Sr. of the LouisviIle Courier‑Journal, and James Copley of the Copley News Service. Other organizations which cooperated with the CIA include the American Broadcasting Company, the National Broadcasting Company, the Associated Press, United Press International, Reuters, Hearst Newspapers, Scripps‑Howard, Newsweek magazine, the Mutual Broadcasting System, the Miami Herald and the old Saturday Evening Post and New York Herald‑Tribune.

By far the most valuable of these associations, according to CIA officials, have been with the New York Times, CBS and Time Inc.”

Operation Mockingbird was a famous, now-public intelligence-run media co-opting program, run by classic CIA luminaries such as Dulles, Wisner, etc. But Mockingbird is only one publicly-known program. In reality, the whole of mass media is this program. The news is thus faked by being shot on green screens at central locations with hundreds of script writers and lackeys. For decades, this was done at the CBS Broadcasting Center, though now things have changed a bit, with other centralized entities now playing key roles, like the ridiculous psy op center known as CNN. Simply put, this is why and how the news is faked, and below are some of the hall of fame FAIL examples. So, rather than send all your money and spend your time with these liars, why not support independent news and research like JaysAnalysis, that tells you the truth?

Read more here:: How the News is Faked

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Media Rehashes Syrian Chemical Attack Narrative As Obama Eyes Air Strikes

Thumbnail for 24753Mikael Thalen | The Rundown Live

 A new report from the Organization for the Prohibition of Chemical Weapons (OPCW) is being used by western media to grease the skids for President Obama’s upcoming air campaign inside Syria.

According to the report, “compelling evidence” indicates that chlorine gas was “systematically and repeatedly” used throughout northern Syria this year.

Although the report did not place blame on either Assad or the opposing “rebels,” western media outlets wasted no time in pointing fingers toward the Syrian government despite the claim already being completely dismantled late last year.

“Syria agreed to destroy its chemical weapons a year ago following global outrage over a sarin gas attack in Ghouta, a suburb of Damascus, in August 2013 that killed hundreds – the worst attack of its kind for quarter of a century,” Reuters wrote.

In fact, no major media outlets made mention of the ample body of evidence contradicting the official White House narrative on the Aleppo and Ghouta chemical attacks.

The Aleppo chemical attack, which occured in March of 2013, was immediately used to push for further intervention into Syria despite the lack of an official investigation.

Shortly after, Carla Del Ponte, a member of the UN Independent Commission of Inquiry on Syria, argued that evidence gathered from medical staff and those on scene appeared to point to the western-backed jihadist rebels.

“This was used on the part of the opposition, the rebels, not by the government authorities,” she said.

Months later after a similar attack in the Damascus suburb of Ghouta, the same narrative unfolded before investigators were even given a chance to survey the area.

The narrative quickly eroded after a group of rebel jihadists admitted to obtaining chemical weapons from Saudi Arabia in an interview with Mint Press News.

Abdel-Moneim said his son and the others died during the chemical weapons attack. That same day, the militant group Jabhat al-Nusra, which is linked to al-Qaida, announced that it would similarly attack civilians in the Assad regime’s heartland of Latakia on Syria’s western coast, in purported retaliation.

“They didn’t tell us what these arms were or how to use them,” complained a female fighter named ‘K.’ “We didn’t know they were chemical weapons. We never imagined they were chemical weapons.”

“When Saudi Prince Bandar gives such weapons to people, he must give them to those who know how to handle and use them,” she warned. She, like other Syrians, do not want to use their full names for fear of retribution.

US intelligence officials speaking with the Associated Press later admitted that the evidence linking Assad to the chemical attack was “no slam dunk.”

In December of that year, Pulitzer Prize winning journalist Seymour Hersh wrote a lengthy piece detailing the account of several high-level intelligence contacts in regard to the attack.

“In recent interviews with intelligence and military officers and consultants past and present, I found intense concern, and on occasion anger, over what was repeatedly seen as the deliberate manipulation of intelligence,” Hersh wrote. “One high-level intelligence officer, in an email to a colleague, called the administration’s assurances of Assad’s responsibility a ‘ruse’. The attack ‘was not the result of the current regime’, he wrote. A former senior intelligence official told me that the Obama administration had altered the available information – in terms of its timing and sequence – to enable the president and his advisers to make intelligence retrieved days after the attack look as if it had been picked up and analysed in real time, as the attack was happening.”

Incredibly, those responsible for the chemical attacks are the same people President Obama is currently working to arm once again in Syria.

Read more here:: Media Rehashes Syrian Chemical Attack Narrative As Obama Eyes Air Strikes

The post Media Rehashes Syrian Chemical Attack Narrative As Obama Eyes Air Strikes appeared first on The Rundown Live.

Blooded The Brave – Sabotage

Thumbnail for 24730Official Music Video & Single Release from Blooded the Brave
– On the 13th Anniversary of 9-11 – We remember and we will never forget…what brought us to where we are today. Questions still remain about the event that has lead to a world of endless war and constant fear.

Music Produced By Richard Cook of wormusic –

The post Blooded the Brave – Sabotage appeared first on The Rundown Live.

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    Can A Country Survive With Open Borders? - Disassociation Nation - 11/28/16Niz and Paul welcome Shane Radliff to talk about his Direct Action series and a discussion burning up the Liberty community, Muh Borders! It's Spy vs. Spy vs You as the UK sets up to pass the largest domestic spy legistaltion in Western History. What happened to Kanye West? We announce our Tyrant of the week, and find out what's in your Aloe Vera. Disassociation Nation reveals the sordid underbelly of the dystopian reality of the American Dream.  We explore that reality while examining the principles of liberty that could liberate us all from the coercive enterprise that is the United States [more]

    Disassociation Nation - Guests: Lousander Feen & Danny Roldan - 11/21/16

    Disassociation Nation - Guests: Lousander Feen & Danny Roldan - 11/21/16Tonight on Disassociation Nation, Niz and Paul we're joined by Danny Roldan former member of 'We are Change' and Lousander Feen one of the hosts from Freedom Feens. The conversation started with the anti-gun referendum before the conversation switches to a debate on minarchism versus anarchy and how to end the state.  We end the show with Lou, Niz and Paul discussing the EU's attempt to pull Britain back in and how decentralized technologies are undermining the myth of the state.   Disassociation Nation reveals the sordid underbelly of the dystopian reality of the American Dream.  We explore that reality while examining [more]

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